Adventures of Kristin & Ethan



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Singing in the Mountains of Laos

We spent three days trekking through the mountains of Laos near the Chinese border, walking from village to village with a local guide delightfully named Bounsy. This is a wild place where few foreigners go and many villages are connected only by steep footpaths. 

This is the time of year when farmers burn their rice fields, and the air was thick with smoke; in some places, ash rained down from the sky like feathers.  Although I know very little about slash and burn farming, I can’t help thinking that there must be a way for families to feed themselves without destroying these mountains.  

Here, each family has its own plot of land, and so farming can be lonely work.  During the rainy season, the families move to a temporary hut in their field, to be as close as possible to the rice that will feed them for the next year.  

We trudged up a particularly steep hillside that was blackened and smoking, and saw the obscure figure of a bare-breasted woman materialize from the smoking ashes.  A child ran out from behind her, calling to someone, and then they both disappeared again.  The air in those mountains is thick with superstition.

The villages consist of a collection of small wooden huts with dirt floors, each with its own storage of rice, and yards full of pigs, chickens, dogs and children who would follow us, shrieking with delight each time we tried to speak. The only bathroom is in the woods, and the pigs are happy to clean up after you. 

Laotians are very reserved—tribal people in particular—and often we could see women peeking out at us from their doorways.  They wear fabulous costumes embroidered with colorful beads, electric pink stitching and old French coins.  They dislike being photographed, so we have almost no pictures.  

Here’s one I found online that’s very similar. (Photo Credit: Loic Brohard) 

 

Each night, we slept in the chief’s house and ate dinners of curious pickled vegetables, egg, and once, dried squirrel (ask the vegetarian how it tasted), washed down with shots of Lao-Lao, the local rice whisky. Since there’s no electricity, the meals were eaten and prepared with headlamps, which the women wear over their glorious headpieces.  After making dinner, however, the women eat with their children at a table that’s separate from ours; they wash up while thier husbands smoke and drink whisky, and wake up first in the morning to prepare breakfast over the fire.  At the first house, the wife barely acknowledged us, and my only impression of her was in shadow, standing bent over the fire with a baby tied to her back and a conical headpiece.  Her hunched silhouette made her seem like a being from another world.

The second family we stayed with, however, was much more friendly.  They spoke with us, pointing and giggling; the Chief drank Lao-Lao and rocked his grandson to sleep in his arms, and his mother, an old Akha woman whose elaborate dress compensated for her lack of teeth stroked her granddaughter’s hair as she grew drowsy by the smoky fire.  I watched the Chief’s wife bind her long, black hair, wrapping it in layer after layer of black cloth, building a temple on the top of her head.  

On the second day, Ethan and I walked through the village and tried to play with the children— they were a rambunctious lot, and after some time we hit a wall in our communication with them.  Ethan had an idea: he wanted to try singing to them, to see if they’d join us or perhaps sing some songs in their language.  After all, isn’t music the universal language?  

Most people who know me will guess that I hated this idea.  But I stayed, squirming, while he sang the first few stanzas of an American folk song, and watched as they quieted and gathered near us, and seemed to want him to continue when he’d run out of words.  He tried another, and then I sang with him— these were bits of songs, because neither of us can remember lyrics very well.  We did 60’s folk songs, some Rolling Stones, Simon and Garfunkel, finally moving on to Christmas Carols out of desperation. And as our voices grew more confident, something incredible happened: people from the village—even the women—started coming out of their houses and gathering around us to listen.  I looked up, and we were completely surrounded.  At first it was unclear whether they actually liked it, or whether we were just more interesting than feeding the pigs, but presently one older woman who had been standing there for several minutes shushed the young boys, who had started making noise again.  Then she looked at me and gave me a thumbs-up, and continued to watch us intently.  It was one of the rare times a woman smiled at me.

Although we were off key and couldn’t remember the words to save our lives, we realized it didn’t matter.  Our self-consciousness faded and we started taking turns: Ethan sang “Cotton Fields,” an old blues song, and I did Silent Night—I couldn’t remember anything else for the life of me.  I remember how surreal it was, hearing my own voice floating out over these faces, all turned toward me.
Bounsy came looking for us, wondering what trouble we’d gotten ourselves into, and laughed and lit a cigarette as we sang one more song.  
-K